1. According to Sylvia Clark's article on mariachi music, Mariachi Music as aSymbol of Mexican Culture in...

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1. According to Sylvia Clark's article on mariachi music, "Mariachi Music as aSymbol of Mexican Culture in the United StatesDownload Mariachi Music as aSymbol of Mexican Culture in the United States," what are the origins of mariachi, and what are the specific elements that assure the mariachi its distinctive status as an immediately recognizable ensemble?

2. According toCathy Ragland's review article, "Review:Msica Nortea: Mexican Migrants Creating a Nation Between NationsDownload Review:Msica Nortea: Mexican Migrants Creating a Nation Between Nations," who constitutes the primary audience for Nortea music in the U.S., and why/how is Nortea music important for this audience?

3. According toJos Pablo Villalobos and Juan Carlos Ramrez-Pimienta, "'Corridos' and 'la Pura Verdad': Myths and Realities of the Mexican Ballad," what has been the popularview of whycorridosare important to providing "true" historical accounts, and what are the authors'problemswith/critiquesof this view, in regard to more recentnarco-corridos?

4. According to Alicia Vanessa Nuez Rafaela Fiore Urzar's article, "PUNK'S NOT DEAD IN EAST LA: EXPLORING THE EAST LOS SERIES AND IT'S USE OF LOCALITY AND CULTURAL HYBRIDITY FOR EASTSIDE CATHARSIS Download PUNK'S NOT DEAD IN EAST LA: EXPLORING THE EAST LOS SERIES AND IT'S USE OF LOCALITY AND CULTURAL HYBRIDITY FOR EASTSIDE CATHARSIS," what makes Latina/o punkeros different from their white counterparts?

5. According to Reed's article, "The Fotonovela Download The Fotonovela," what did Mexican fotonovela publishers do to reach different segments of an expanding readership, and what were some specific examples?

6. According to Carlos Avila's article "On Foto-Novelas Download On Foto-Novelas," what is it aboutthe stories infotonovelas that make them so popular with readers?