According to Wendy Su, what are the three main phases in the history of Chinese martial arts
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According to Wendy Su, what are the three main phases in the history of Chinese martial arts cinema in the 20th century? What is the new hybrid martial arts cinema of the 21st century and how does it "close the circle" on the martial arts films of the previous century? Drawing on specific films discussed in the readings/lecture, explain how themes of Confucianism, nationalism and patriotism are represented in the new martial arts cinema of the 21st century?
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