1) Which language in the above force majeure clause can the Metropolitan Opera use to make the case that it does not have to preform? Explain. 2) Now argue the other side. What argument can the performers make that the coronavirus disruption does not apply here? 3) In the end, who do you believe determines whether or not this clause appHes? 4) Should these clauses be allowed in any contracts for personal services for those in performing arts? How about accountants or other professionals? Should the hiring party accept the risk of disruption or should the risk fall on the party providing services