Question: According to cultural studies scholar Stuart Hall's seminal article,Encoding/Decoding. What is Hall's theory of dominant, negotiated, andoppositional readings of flm/media texts? How does this theory

According to cultural studies scholar Stuart Hall's seminal article,"Encoding/Decoding". What is Hall's theory of "dominant", "negotiated," and"oppositional" readings of flm/media texts? How does this theory challenge the assumption that 1)audiences interpret a movie or TV show in the same way; and 2) that audiences can read a movie or TV show in anyway they like? Please use the movie "Master of None" as example to explain.

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