Can someone please help me annotate documents 10.7, 10.8 and 10.9 and thank you so much!

Annotation is to tell the reader in a short paragraph what is the document is talking about.

Source 10.7 Excerpt from God's Bits of Wood I want you to also understand something. [engine], I feel at one with the whole train. When I am on the platform of the Diesel no matter whether it's carrying passengers or "Sembene, God's Bits of Wood, 257. Chapter 10 . Literature and Decolonization in Africa 215 freight. I experience all that happens along than to drive the train to the place where it's its journey, in the stations, the people wait- going. . . . For me. it's the same with this ing. But when the machine is traveling. I strike. I become one body with it. forget everything. My role is nothing moreSource 10.9 D. Diop, "The Time of the Martyr" Le Blanc a tue mon pere The white (man) killed my father. Mon pere etait fier My father was proud. Le Blanc a viole ma mere The white (man) violated my mother, Ma mere ctait belle My mother was beautiful. Le Blanc a courbe mon frere sous le soleil de The white (man) has bent my brother under the route mid-day sun Mon frere ctait fort My brother was strong. Le Blanc a tourne vers moi The white (man) has turned towards me Ses mains rouges de sang His hands red with blood Noir Black Et de sa voix de maitre And in the voice of the master (says): * He boy, un berger, une serviette, de l'eau ! >> "Hey boy . . . A chair, a napkin, and water." Source: David Diop. "Le Temps du Martyre", Translated by author, From Hammer Blows and Other Writings. Copyright 9 1973, Indiana University Press. Reprinted with permission of Indiana University Press.Source 10.8 Gadjigo on Reading God's Bits of Wood, 2007 In 1972, I was an eleventh-grade student at me lose my political innocence and changed the Lycee Faidherbe, in the Senegalese city by worldview. God's Bits of Wood, acclaimed of Saint Louis, in northern Senegal. That around the world as Sembene's masterpiece. year will remain deeply cast in my memory { was my first ever contact with "African" because it was the year a single book made literature. Source: 5. Gadjigo. "Ousmane Sembene: La lutte continue! [A Personal Tribute]," Research in African Literatures 38