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Mail - Parker Perez - Post Test Looking In Srimize 0 0 12app vbGVhomSlc9zZWNvomRhenkvdXNici 1hc3NpZ25tZWSOLzQzNjQvbGF1bmNocGFkLzQ1NjQ30To# All Book Previous 3v Next Post Test: Looking Inward Submit Test Reader Tools Into Save Exit NEA Arts magazine spotlight: Diane Rodriguez: Sharing the Latina Experience Select the correct text in the passage. by Rebecca Sutton (excerpt) Mar 28, 2018 Which statement best builds on Diane Rod driguez's point that minorities are still crowded out of leadership roles? (1) Writer, director, and performer Diane Rodriguez has long been a part of the Latino artistic community, making her profession the Latino Theater incampe sino in the mid-1970s 5) I think leadership in the theater is the number one challenge still. There are still very few women of color in managerial positions and executive positions. There has never been a Latina Theatre ones as co-director of in Los Angeles and a merger associate artistic director of the Center Theatre Group who has run a LORT [League of Resident Theatres] theater, and certainly not a Mexican-American woman. I have tried to get in those doors. if Council on the Ants, she has consistently used (6) We still need more writers of color. We've made advances, certainly, and there are a lot of talented writers. But I do think that it's very, very hard for a woman of color to be a playwright her position to upin traditionally unheard voices, most passionately those full-time. I think that will change with the generations-I'm very hopeful for that. There are organizations like Theatre Communications Group that really help us, giving us the platforms. (2) in recent years, she has found her own voice as a playwright, sculpt setting us up. We need more organizations that can help in that way. It's happening, but it's slow. strong womens Living Large centers on a Latina widow who rema once pestno gold coins social justice worker seeking to at least crack, if not break the win the Unded Farm Workers union. She has Reset Next rely new generation of Youing gifts through her work writing cuses on the adventures of a Latina princess. in the follow cusses the challenges and joys she has faced throughout her career as a Chicana theater ar PLANTING ROOTS (3) Being a Latina, Chicana, has affected my career greatly school I applied to California institute of the Ar thing that eversigned down The alternative was to he, and in where feame nem opened my eries that my mother toled in as we were scene up I never forgot the roots that I came from as I was launched into the world. Even now, even when I'm not necessarily doing Latino-specific work, those roots keep me anchored. MAKING ROOM FOR NEW VOICES AND LEADERS great civilization and a g at city need cult zations are not our enemy A that we don't decent too culture are shared, that various voices are hear theaters. We have to think about me wholesale the large theaters and the small think it's the same with women We are asking to share in the fond of each other ! where we're not crowded out where we are heard and where we don't feet name slammed in our faces From popular culture to high art. it's difficult. We're stil in dark times in that arena of think leadership in the theater is the number one challenge still There are stil very few who put employed coupons and executive positions. There has never been a Latina man, I have med to get me cheares) theater, and certainly not a Mexican- (6) We still need more writers of color. We've made color. We've made advances, certainly, and there are a lot of talented wetters But I ion think that it's vert vive hard for a women of mile to be a slaveright @2125 Fanenture All rights reserved Q Search 12:04 PM 7122/2025