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\"Third World cinema does not, therefore, have an indepen-dent existence. It is merely an index of a general cultural and historical trend in which filmmakers can find their role and serve as caretakers of popular discourse in cinema\" (Gabriel, paragraph 11). This stands way of citing historical content is fascinating to me. It is important for cultures to have a way to have their histories and traditions able to be kept alive and re-told in areal and raw manner. Filmmakers have found that way to honor that perfectly. The only difference is that while storytelling in the traditional sense is more oblique, the critic's discourse is didactic and self-professed by a commitment to a position. In any case, the critic does not necessarily have privileged access; but he or she is certainly interpolated by ideology\" (Gabriel, paragraph 43). This was an intriguing thought. Ina sense, it may mean that rather than being a separate observer, the critic is tainted by ideology, actively shaping how films are understood in relation to social movements. Salt of the Earth is considered part of Third Cinema because it rejects Hollywood norms and focuses on working-class struggles. It features real laborers, and highlights class and Bender issues. Its activist message and grassroots production align with Third Cinema's foal of using film as a tool for change. Salt of the Earth shows women's empowerment through its characters, dialogue, and setting. A perfect and strong example is when the women take over the picket lines after the men are banned from striking. In the beginning of the film, their husbands see them only as homemakers and homemakers, but the women step up, organize, and lead the fight for better conditions, ending in a unification of the group of people. | felt the feeling of empowerment of the women as the film played on, and they began to show their strengths. After the men were banned from the picket line, the women banned together and held the picket line together. They formed stronger circles than the men did by fanning out when they were attacked by tear gas, which was a great strategy, they stood firm and strong together to form a human wall when the law men would try to drive through them, and they basically attacked the law men when they would try and physically move them from the line. They were also banned together in the jail and were \"loud and proud" and madeas much noise as possible in the jail until they got what they wanted. husbands. They were there to be the homemaker, the nurserymaid, and to bear children. They were not seen as equal by any means and were certainly not to be made as a part ofa political stand. This made their struggle more unique, but also more to overcome, which they absolutely did. The Empire Zinc strike helped change labor rights and gender equality. It showed that race, class, and gender are connected to workplace struggles. The strike proved that women were not just the supporters in the background, they were leaders in that they stepped in when the men were banned from picketing. The strike showed that labor fights are not about wages, they are about fair treatment, dignity, and representation. We see this today in movements for equal pay, union rights, and protections for marginalized workers The film addresses issues of cultural and social class struggle, gender equality, and labor rights by centering its story on Mexican American miners and their families fighting for better working conditions. The film does not only discuss oppression; it actively challenges power structures, demonstrating how collective action can lead to change. One key resolution comes through Esperanza Quintero, the wife of Ramone. At the start, sheis a quiet, submissive homemaker, but as the strike unfolds, she finds her voice, standing up to both her husband and the mining company. By the end, she is empowered, proving that women are not just supporters in labor movements, but they can be leaders as well. This transformation reflects a broader social reality; women's roles in activism were often overlooked, but their contributions are essential to progress. (@ Paste with Copilot (Ctrl) ~