How did Morris' Gothic Revival style differ from Pugin's?

Group of answer choices

Pugin felt Gothic expressed social equality, whereas Morris was attracted to Gothic as a symbol of the moral authority of strict religious dogma.

Pugin embraced the use of cheap materials substituting for more expensive ones; Morris felt that Gothic was the proper style for expensive, luxury goods.

Pugin was more concerned with archaeologically correct recreations of Gothic motifs; Morris saw Gothic more a model for craft inspiration and inventiveness.

Pugin rejected all forms of mechanization of work while Morris was committed to designing for mass production.

Pugin saw Gothic as a natively French style, foreign to the British tradition; Morris saw Gothic as a German influence.

he Red House is cozy and informal. It has a very different feel from the heavy, dark wood paneling and elaborate draperies of a typical middle-class house of the 1860s, and from a typical house's spatial hierarchies and gendered spacesrooms decorated to emphasize a woman's level of taste or a man's social mastery. The Arts and Crafts house is a social revolution: it's egalitarian space, it's open andrelatively large, light and airy. There are multi-use spaces. It is completely experimental in the mid 19th century, in line with William Morris's idealism and social activism.

Morris, Webb and the others were not only trying to fulfill Ruskin's ideal of the self-directed Medieval artisan, but also to restore the Medieval equality of the arts. There was no such thing as an "artist" in the Middle Ages, art was simply one of the crafts: there's the craftsman in wood, the craftsman in colors, the craftsman in glass, and so on, and they are all more-or-less equally valued as makers. In the 1860s Morris was trying to restore that, to not valorize the fine arts over the decorative arts but see all crafts as equally valid expressions, all coming out of the same love the maker has for what he or she does.

Like Pugin, Morris was trying to teach the world a moral lesson and remake the social order. Unlike Pugin, whom Morris respected very much, Morris did not so much revive literal Gothic motifs as he did a Gothic feeling. Furthermore, Pugin was, for lack of a better word, an authoritarian. He believed that the moral power of the church was the way to combat the falsehood of industrial society. Morris was a Socialist, he thought of the family unit, human fellowship, and love of what you do as the best hopes that humanity has to move forward into a better world.

Based on that and ideas that he picked up from Ruskin, Morris believed it is possible to make products that are both good design and are also "good" design, in the moral sense, that are ethically produced and not the product of what Ruskin