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The paper will discuss the Norwegian artist Edward Munch (1864-1944) and his painting The Scream from three different perspectives: 1) why an orthopedic doctor wrote about this painting: 2) Key emotional losses in Munch's youth that also impacted his father and shaped his own philosophy about life: 3) what insight Munch himself gives us about his painting. Finally, I will answer the question: How did that Munch wrote about the scream impact my interpretation of the painting? Friedlaender, who is an MD in the department of Orthopedics and rehabilitation at the Yale University of School of Medicine, titled his article on Edvard Munch and the scream:" A Cry for Help". Friedlander, a component of narrative medicine: writes "Providers need to be attentive to communication in all its forms-and use it to help improve each patient's well-being. Collectively, this set of circumstances is part of the discipline of narrative medicine [3], and at its core, lie the values of empathy and professionalism", and adds "Clinicians should encourage their patients to share their thoughts and feelings in whatever ways those patients find effective, and clinicians should diligently listen, react to, and incorporate these expressions of emotion into their diagnostic and therapeutic decision-making processes.(2018). He explained that he picks Munch to discuss because" Munch (1864-1944) frequently portrayed emotional reactions to his personal life experiences in his visual art". He interprets The Scream as a" Cry for Help". (2018)\fFinally, I turn to the question: How does what Munch wrote about The Scream impact my interpretation of the painting? The Scream was not so much a product of a cry for help or horror, or an uncharacteristic moment of panic. It symbolizes the troubled times Munch was experiencing as he dealt with mental illness and trauma, and this is his way of explaining himself or rationalizing his experience during this troubled time through what he knew best; painting his experience. Friedlander, Gary E, and Linda K Friedlander. "Edvard Munch and The Scream: A Cry for Help." Clinical orthopedics and related research vol. 476,2 (2018): https://pubmed.ncbi.nlm. nih.gov/29389785/\fTurning now to key emotional losses in Munch youth that impacted his father and shaped his own philosophy about life. The art historian and Munch expert. Reinhold Heller writes Weakened after the birth of her fifth child, Edvard Munch's mother succumbed to tuberculosis in 1868, as did her oldest child, Sophie, in 1877. After the deaths of his wife and daughter, his son later maintained, Dr Munch suffered periodic fits of deep depression and violent temper, accompanied by fanatical visions of his own and his surviving children's eternal damnation in hell. An extreme Christian fundamentalist, Dr Munch saw the bouts of severe, life- threatening bronchitis and tuberculosis suffered by Edvard and the other children as God's 'punishing illnesses' to which the sole response could be penitential prayer and remorseful submission. The constant experience of illness, hallucination, death and rejection, but also of determined and desperate resistance, provided the fundamental shape of Edvard Munch's character: 'I was born dying', he recalled shortly after his 70th birthday, 'Sickness, insanity and death were the dark angels standing guard at my cradle and they have followed me throughout my life.' Now, we have the question: What insight does Munch himself give us about The Scream? Munch produced four version of The Scream One include a poem he wrote on the Frame of the 1895 version: I was walking along the road with two friends - the sun was setting - I felt a wave of sadness-- the Sky suddenly turned blood-red I stopped, leaned against the fence Tired to death looked out over g clouds like blood and swords The amin -The blueblack fjord and city My friends walked on I stood there quaking with angst and I felt as though a vast, endless Scream passed through nature