Write a reply "Richard Weston's idea of "Context" emphasizes that architecture is shaped by the cultural, social, and environmental conditions in which it is made. This concept becomes clear in BBC Vienna 1908, especially in the moment when Adolf Loos argues against ornament and insists that architecture must respond to the realities of modern Viennese society. Loos's rejection of historical decoration is not simply aesthetic, it reflects a city undergoing rapid modernization, shifting class structures, and new expectations for hygiene and rationality. His position perfectly aligns with Weston's argument that architecture must emerge from the conditions of its time, not from inherited stylistic habits. In ARTBOUND - That Far Corner, Frank Lloyd Wright's Los Angeles "textile-block" houses offer a very different but equally compelling example of context shaping architecture. The film highlights how Wright experimented with concrete blocks made from local aggregates and designed patterns that responded to Southern California's light, heat, and seismic conditions. Here, context is not cultural but environmental and material. Wright's work shows that architecture can grow out of its physical surroundings, becoming inseparable from the climate and landscape in which it sits, just as Weston describes. Alan Yentob's Imagine: Zaha Hadid presents a more contemporary interpretation of context. One striking moment occurs when Zaha explains how her dynamic, fragmented forms emerged from studying the flows of London's urban landscape, movement, density, and shifting sight lines. For Ha