In 2014, sculptor Dario Robleto walks Krista Tippet through his process in an episode of On Being. Listen and respond to the podcast with these thoughts in mind:
What kind of a tool is language for this artist? How are everyday objects employed? How does the concept of time factor into these works? Why does this work need to be sculpture, what might we be missing by not seeing the pieces in person? What is Robleto's relationship to science, to spirituality? How does this manifest in the work? What are your thoughts about these works, what part of your personal aesthetic informs your response? Are there other artists that we have discovered this semester that are using similar ideas/processes? Where might this situate Robleto in an art historical context?