Question: How does the figure in Lucas Cranach the Elder's Nymph of the Spring compare to idealized nudes in Italian Renaissance paintings? It suggests a distinctly
How does the figure in Lucas Cranach the Elder's Nymph of the Spring compare to idealized nudes in Italian Renaissance paintings?
It suggests a distinctly different conception of the female figure in Germany
Both derive from Classical models of female beauty
It shows that Cranach was familiar with contemporary Italian art
It shows that Italian artists were influenced by Northern prototypes
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