acrobatic moves and enviable ball-handling skills, As we explained in the opener to this chapter, Pepsi...
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acrobatic moves and enviable ball-handling skills, As we explained in the opener to this chapter, Pepsi has embraced the communication capabilities of emojis in a big way-you might even say, in a maximal way. Actually. DensiCo would love it if you used that description, because for its Pepsi Max line of bever- s it actively seeks to establish a consistently cool, cutting-edge perception among con- sumers, mainly by using integrated marketing campaigns that revolve around the notion of living life "to the max." Let's consider a few of the ways it presents consistent messages across a range of channels. The very name of the product line provides the foundation for the consistent message. By referring to the carbonated beverage as Pepsi Max, PepsiCo signals that this brand will offer more, greater, and bigger things to consumers. Thus every communication needs to be "to the max" as well-grander, louder, more exciting, more thrilling. In this effort, PepsiCo uses the tagline "Maximum Taste, No Sugar" in combination with hashtags such as #LiveforNow and #Unbelievable on social media. On its dedicated YouTube channel, Pepsi Max posts videos of people living up to the philosophies embedded in the hashtags, including the "Human Loop the Loop" Damien Walters-a man who seemingly defies gravity (and offers an excellent lesson in centripetal force) in his unbelievable physical feat of running all the way around a vertical loop-the- loop." Other videos on the channel highlight "Amazing Trampoline Tricks" and cool JumpCam shots of remarkable feats. The efforts have vastly increased the number of fol- lowers and views earned by adrenaline junkies, as well as those who simply find enjoyment in watching seemingly normal people be unbelievable. Rather than amazing feats by regular people, Pepsi Max's #Maxfootball campaign re- es on some of the biggest names in men's soccer, including Sergio Agüero from Man City, James Rodríguez of Real Madrid, Arsenal's Alexis Sánchez, and the goalkeeper David de Gea for Manchester United, In televised advertisements, the players are flashed ue cards (rather than the vellow and red cards that stop play in the game), prompting ventures and fun for the regular people holding them up. One television spot, for exam- e. fells the story of two regular delivery drivers who raise their blue cards and thereby magical access to a shooting session with the all-star players, who show off their in a linked app, Pepsi Max allows users to enter contests to win similar "Blue Card 574 Section Seven VALUE COMMUNICATION Pepsi Max's bus stops allow remarkably realistic videos to play in the windows surround ing the structures Aepsi Max tapes peoples reactions and posts those videos to its You Tube channel Source Linbelevable B Sheltepei Maouube As if those innovations were not "max" enough, PepsiCo is entering some of the new- est channels in unusual ways. Whereas outdoor advertising traditionally has been static and relatively straightforward, Pepsi Max is changing the relationship between this marketing channel and social media. On digital billboards, Pepsi Max posts videos submitted by users to the entertainment network Vine that detail how they #LiveForNow (remember that hashtag?)." Drivers passing the billboards thus get to see a quick and exciting video, which they can access again when they get home and log in to their Vine accounts. With another example of marrying traditional communication forms with modern technology. Pepsi Max also transformed bus stops into adventure zones. Using augmented reality techniques, it has created a system to allow remarkably realistic videos to play in the windows surrounding bus stops. Thus when a rider sits down to wait for the next bus and glances to the right, it appears as though a tiger were literally walking down the street, headed right toward the bus stop. Other videos show a massive meteor ready to obliterate the city street or an alien-looking tentacle grabbing pedestrians nearby." The videos are very short, to avoid truly scaring people, but in those brief moments, more than a few peo- ple have experienced some thrilling terror. Of course, Pepsi Max also tapes their reactions and posts those videos to its YouTube channel. Questions 1. Which channels is Pepsi Max using to communicate its marketing messages? Rank order your impression of how effective they are and justify your answer. 2. How are those various channels integrated? 3. Which IMC channels do these campaigns by Pepsi Max make use of? acrobatic moves and enviable ball-handling skills, As we explained in the opener to this chapter, Pepsi has embraced the communication capabilities of emojis in a big way-you might even say, in a maximal way. Actually. DensiCo would love it if you used that description, because for its Pepsi Max line of bever- s it actively seeks to establish a consistently cool, cutting-edge perception among con- sumers, mainly by using integrated marketing campaigns that revolve around the notion of living life "to the max." Let's consider a few of the ways it presents consistent messages across a range of channels. The very name of the product line provides the foundation for the consistent message. By referring to the carbonated beverage as Pepsi Max, PepsiCo signals that this brand will offer more, greater, and bigger things to consumers. Thus every communication needs to be "to the max" as well-grander, louder, more exciting, more thrilling. In this effort, PepsiCo uses the tagline "Maximum Taste, No Sugar" in combination with hashtags such as #LiveforNow and #Unbelievable on social media. On its dedicated YouTube channel, Pepsi Max posts videos of people living up to the philosophies embedded in the hashtags, including the "Human Loop the Loop" Damien Walters-a man who seemingly defies gravity (and offers an excellent lesson in centripetal force) in his unbelievable physical feat of running all the way around a vertical loop-the- loop." Other videos on the channel highlight "Amazing Trampoline Tricks" and cool JumpCam shots of remarkable feats. The efforts have vastly increased the number of fol- lowers and views earned by adrenaline junkies, as well as those who simply find enjoyment in watching seemingly normal people be unbelievable. Rather than amazing feats by regular people, Pepsi Max's #Maxfootball campaign re- es on some of the biggest names in men's soccer, including Sergio Agüero from Man City, James Rodríguez of Real Madrid, Arsenal's Alexis Sánchez, and the goalkeeper David de Gea for Manchester United, In televised advertisements, the players are flashed ue cards (rather than the vellow and red cards that stop play in the game), prompting ventures and fun for the regular people holding them up. One television spot, for exam- e. fells the story of two regular delivery drivers who raise their blue cards and thereby magical access to a shooting session with the all-star players, who show off their in a linked app, Pepsi Max allows users to enter contests to win similar "Blue Card 574 Section Seven VALUE COMMUNICATION Pepsi Max's bus stops allow remarkably realistic videos to play in the windows surround ing the structures Aepsi Max tapes peoples reactions and posts those videos to its You Tube channel Source Linbelevable B Sheltepei Maouube As if those innovations were not "max" enough, PepsiCo is entering some of the new- est channels in unusual ways. Whereas outdoor advertising traditionally has been static and relatively straightforward, Pepsi Max is changing the relationship between this marketing channel and social media. On digital billboards, Pepsi Max posts videos submitted by users to the entertainment network Vine that detail how they #LiveForNow (remember that hashtag?)." Drivers passing the billboards thus get to see a quick and exciting video, which they can access again when they get home and log in to their Vine accounts. With another example of marrying traditional communication forms with modern technology. Pepsi Max also transformed bus stops into adventure zones. Using augmented reality techniques, it has created a system to allow remarkably realistic videos to play in the windows surrounding bus stops. Thus when a rider sits down to wait for the next bus and glances to the right, it appears as though a tiger were literally walking down the street, headed right toward the bus stop. Other videos show a massive meteor ready to obliterate the city street or an alien-looking tentacle grabbing pedestrians nearby." The videos are very short, to avoid truly scaring people, but in those brief moments, more than a few peo- ple have experienced some thrilling terror. Of course, Pepsi Max also tapes their reactions and posts those videos to its YouTube channel. Questions 1. Which channels is Pepsi Max using to communicate its marketing messages? Rank order your impression of how effective they are and justify your answer. 2. How are those various channels integrated? 3. Which IMC channels do these campaigns by Pepsi Max make use of?
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PepsiCo uses the following channels to communicate its messages The channels are ranked in the order of their effectiveness Televised advertisements O... View the full answer
Related Book For
Managerial Economics
ISBN: 978-0133020267
7th edition
Authors: Paul Keat, Philip K Young, Steve Erfle
Posted Date:
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