Question: question 4 All theme park attractions undergo continuous improvement efforts. According to Bob Zalk, Walt Disney Imagineer and show producer: The idea of going back

question 4 question 4 All theme park attractions undergo
question 4 All theme park attractions undergo
All theme park attractions undergo continuous improvement efforts. According to Bob Zalk, Walt Disney Imagineer and show producer: The idea of going back into an iconic attraction and adding, changing, adjusting, removing elements--the standards are extremely high when you reach the finish line. We have to deliver unlike new attractions, re-imagining an established attraction carries with it its own sense of history and tradition that the entire team has to take into account. It's a big challenge, but an exciting one. PART 1 1. What are the primary differences between traditional projects and the Haunted Mansion Project? 2. Why aren't all of the project's constraints of equal importance? 3. Why was it impossible to prepare a clearly defined statement of work at the beginning of the Haunted Mansion Project? 4. In the list of questions that had to be addressed at project initiation, which three questions were probably most critical for SoW preparation? (Note: There can be several answers to this question. What is important is the justification behind the three answers selected.) All theme park attractions undergo continuous improvement efforts. According to Bob Zalk, Walt Disney Imagineer and show producer: The idea of going back into an iconic attraction and adding, changing, adjusting, removing elements--the standards are extremely high when you reach the finish line. We have to deliver unlike new attractions, re-imagining an established attraction carries with it its own sense of history and tradition that the entire team has to take into account. It's a big challenge, but an exciting one. PART 1 1. What are the primary differences between traditional projects and the Haunted Mansion Project? 2. Why aren't all of the project's constraints of equal importance? 3. Why was it impossible to prepare a clearly defined statement of work at the beginning of the Haunted Mansion Project? 4. In the list of questions that had to be addressed at project initiation, which three questions were probably most critical for SoW preparation? (Note: There can be several answers to this question. What is important is the justification behind the three answers selected.)

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