Question: USE THE CASE STUDY pleasd answer the following question 2. What strategic group dimensions and strategic groups can you identify? What are the differences between



USE THE CASE STUDY
pleasd answer the following question
2. What strategic group dimensions and strategic
groups can you identify? What are the differences
between them?
Case example
Game-changing forces and the global advertising industry
Peter Cardwell
This case is centred on the global advertising industry which
faces significant strategic game-changing forces driven by
technological innovation, the rise of consumer spending
in developing economies, changes in consumer media
consumption and pressures from major advertisers for
results-based compensation.
In the second decade of the new millennium, advertising
agencies faced a number of unanticipated challenges.
Traditional markets and industry operating methods,
developed largely in North America and Western Europe
following the rise of consumer spending power in the
twentieth century, were being radically reappraised.
The industry was subject to game-changing forces
from the so-called 'digital revolution' with the entry of
search companies like Google, Facebook and Amazon as
rivals for advertising budgets on mobile devices. Changing
patterns in global consumer markets impacted on both
industry dynamics and structure. Budgets being spent
through traditional advertising agencies were being
squeezed as industry rivalry intensified with the entry of
specialist consultancies.
Overview
Traditionally, the business objective of advertising agen-
cies is to target a specific audience on behalf of clients
with a message that encourages them to try a product
or service and ultimately purchase it. This is done largely
through the concept of a brand being communicated
via media channels. Brands allow consumers to differen-
tiate between products and services and it is the job of
the advertising agency to position the brand so that it is
associated with functions and attributes which are valued
by target consumers. These brands may be consumer
brands (e.q. Procter & Gamble, Samsung, Nestle) or
business-to-business (B2B) brands (e.g. IBM, Airbus Indus-
trie and UPS). Some brands target both consumers and
businesses (e.g. Microsoft and Apple).
As well as private-sector brand companies, govern-
ments spend heavily to advertise public-sector services
such as healthcare and education or to influence indi-
vidual behaviour (such as 'Don't drink and drive'). For
example, the UK government had an advertising budget
of f300m (335m) in the late-2010s. Charities, political
groups, religious groups and other not-for-profit organ-
isations also use the advertising industry to attract funds
into their organisation or to raise awareness of issues.
Together these account for approximately 3 per cent of
advertising spend.
Advertisements are usually placed in selected media
(TV, press, radio, mobile and desktop internet, etc.) by an
advertising agency acting on behalf of the client brand
company; thus they are acting as 'agents'. The client
company employs the advertising agency to use its know-
ledge, skills, creativity and experience to create advert-
ising and marketing to drive consumption of the client's
brands. Clients traditionally have been charged according
to the time spent on creating the advertisements plus a
commission based on the media and services bought on
behalf of clients. However, in recent years, larger advert-
isers such as Coca-Cola, Procter & Gamble and Unilever
have been moving away from this compensation model
to a 'value' or results-based model based on a number of
metrics, including growth in sales and market share.
Ad industry growth
Money spent on advertising has increased dramatic-
ally over the past two decades and in 2018 was over
$205billion (176bn, 158bn) in the USA and $583 billion
worldwide. While there might be a decline in recessionary
years, it is predicted that spending on advertising will
exceed $787 billion globally by 2022.
The industry is shifting its focus as emerging markets
drive revenues from geographic sectors that would not.
Table 1 Global advertising expenditure by region (US$ million, at 2017 average rates)
2014
2015
2016
2017
N America
169,277
175,024
183.075
191,130
W Europe
111,300
114,712
119,531
124.790
Asia Pacific
122.000
130,711
137.639
145,695
C & E Europe
32,284
35,514
36.691
37,305
Latin America
34,082
36,836
38,530
39,226
Africa/ME/ROW
25,941
28,044
29,334
28,608
World
494,884
520,841
544,800
566,754
Source: ZenithMedia, Statista, December 2018.
2018
(estimate)
196,099
128,035
149,483
38.275
42,315
29,352
583,599
have been significant 5 to 10 years ago, such as the BRICS
countries and the Middle East and North Africa. This shift
has seen the emergence of agencies specialising in Islamic
marketing, characterised by a strong ethical responsibility
to consumers. Future trends indicate the strong emer-
gence of consumer brands in areas of the world where
sophisticated consumers with brand awareness are
currently in the minority (see Table 1).
In terms of industry sectors, three of the top 10 global
advertisers are car manufacturers. However, the two major
fmcg (fast-moving consumer goods) producers Procter &
Gamble and Nestl are in the three top spots for global
advertising spend. Healthcare and beauty (L'Oral),
consumer electronics (Samsung), fast food, beverage and
confectionery manufacturers are all featured in the top
20 global advertisers. The top 100 advertisers account
for nearly 50 per cent of the measured global advertising
economy.
Despite the increase in worldwide advertising revenues,
the holding companies that own the world's largest adver-
tising groups: WPP, Publicis, Omnicom and Interpublic
Group (see Table 2) are under intense pressure in a changing
business environment to deliver shareholder value.
Intensifying competition
Advertising agencies come in all sizes and include every.
thing from one- or two-person 'boutique' operations
(which rely mostly on freelance outsourced talent to
perform most functions), small- to medium-sized agen-
cies, large independents to multinational, multi-agency
conglomerates employing over 200,000 people. The
Table 2 Top five multi-agency conglomerates: 2017, by revenue, profit before interest and tax, number of
employees and agency brands
Group name
Revenue
PBIT
Employees
Advertising agency brands
1. WPP (UK)
15.2bn
2.16bn
200,000
GroupM, JWT, Grey, Ogilvy, Y&R
2. Omnicom (US)
$15.4bn
$2.059bn
76,000
BBDO, DDB, TBWA
3. Publicis Groupe
(France)
10.8bn
1.51bn
79,000
Leo Burnett. Saatchi & Saatchi. Publicis. BBH
4. IPG (US)
$7.88bn
973m
49,700
McCann Erickson, CB, MullenLowe Group
5. Dentsu (Japan)
$7.2bn
$938m
47.324
Aegis, Carat, Denstu Media, Prospect, Isobar
industry has gone through a period of increasing concen-
tration through acquisitions, thereby creating multi-
agency conglomerates such as those listed in Table 2.
While these conglomerates are headquartered in London,
New York, Paris and Tokyo, they operate globally.
Large multi-agency conglomerates compete on the
basis of the quality of their creative output (as indicated
by industry awards), the ability to buy media more cost-
effectively, market knowledge, global reach and increas-
ingly range of digital services. Some agency groups
have integrated vertically into higher-margin marketing
services. Omnicom, through its Diversified Agency
Services, has acquired printing services and telemar-
keting/customer care companies. Other agency groups
have vertically integrated to lesser or greater degrees.
Mid-sized and smaller boutique advertising agen-
cies compete by delivering value-added services through
in-depth knowledge of specific market sectors, special-
ised services such as digital and by building a reputation
for innovative and ground-breaking creative advertising/
marketing campaigns. However, they might be more reliant
on outsourced creative suppliers than larger agencies.
Many small specialist agencies are founded by former
employees of large agencies. In turn, smaller specialist
agencies are often acquired by the large multi-agency
conglomerates in order to acquire specific capabilities
to target new sectors or markets or provide additional
services to existing clients.
With the development of the Internet and online
search advertising, a new breed of interactive digital
media agencies established themselves. These agencies
differentiate themselves by offering a mix of web design/
development, search engine marketing, internet advert-
ising/marketing, or e-business/e-commerce consulting.
They are classified as 'agencies' because they create digital
media campaigns and implement media purchases of ads
on behalf of clients on social networking and community
sites such as YouTube, Facebook, Instagram, Flickr and
other digital media.
The rise of mobile and the digital
duopoly
Search companies, such as Google, Bing and Yahoo and
social network Facebook, exploit their ability to interact with
and gain information about millions of potential consumers
of branded products. Facebook and Google have effectively
become a 'digital duopoly' to the extent that they represent
almost 60 per cent of the global digital mobile ad market,
according to Marketer, the research group.
Digital search and mobile advertising budgets are
increasing faster than other traditional advertising media
as search companies like Google and Facebook generate
revenues from paid search as advertisers discover that
targeted ads on mobile and desktop are highly effective
(see Table 3). By 2017, Google had a 66 per cent market
share of the $81.6bn spent on online search advertising
globally, with Facebook also increasing its share.
Sir Martin Sorrell, the former CEO of WPP the world's
largest multi-service agency group, pointed out that
Google is a rival for the service relationships with WPP's
clients. WPP group spent more than $6bn of its clients'
Table 3 Global advertising expenditure by medium (US$ million, at 2016 average rates)
2013
2014
2015
2016
2017
Newspapers
93,019
92,300
91,908
90,070
88.268
Magazines
42.644
42,372
42,300
40,185
39,391
Television
191,198
202,380
213,878
210,670
210,459
Radio
32,580
33,815
35,054
34,457
34,130
Cinema
2,393
2,538
2,681
2,767
2.850
Outdoor
30,945
32,821
34,554
36,143
36,324
Internet - Mobile and
70,518
Desktop
80,672
91,516
130,019
156,543
Total
463,387
486,908
511,891
544,401
567,965
Note: The totals in Table 3 are lower than in Table 1, since that table includes advertising expenditure for a few countries where it is not
Table 4 US mobile ad spending 2015-2019
7015
Mobile ad spending (USSbn)
28.72
% change
50.00%
% of digital ad spending
49.00%
% of total media ad spending
15.30%
SourceMarete.com
ad budgets with Google in 2017 and $2.1bn with Face-
book.
Sorrel called Google a 'frenemy - the compin-
ation or friend and enemy. Google Is a friend where
it allows WP to place targeted advertisina based on
Gooale analvtics and an enemv where it does not share
these analytics with the agency and becomes a potential
com peutor for the customer insignt and advertising trad
itionallv created bv WPP
Mobile ad spending on sites such as Youlube
Pinterest and witter continues to increase
at the
expense of desktop, taking a bigger share of marketers
budgets. The shift to mobile ad spendina is being driver
mainly by consumer demand and is oredicted to be over
28 per cent of total media ad spendin
g in the US which
is why Google has made acquisitions in this sector (s
Table 4.
Entry of 'big data' technology
consultancies
The analysis of 'big data is playing an inci
important role in helping to create targeted and person
alised advertising campaigns for the world's maior
marketers. Consultancies, such as Accenture Interactive
and IBMiX. as well as the large accountancy firms Pl
Digital Services and Deloitte Digital, all with global reach,
are now competing for a share or the advertising market
by acquirina creative agencies to add to theil
- big data
digital services and nave now entered the top u agencies
ranked on the basis or turnover.
Their services include programmatic advertising and
the use or artificial intelligence
algorithms
consumer behaviour allowing for real-time campaign
optimisations
towaros an auen
convert to the advertisers product or service, which is
a major innovation, the impact or which Is still
being
This has led some industry experts to observe
nat
Madmen now need to become Mathsmen, as data
2016
40.50
41.00%
60.40%
20.40%
49.81
23.00%
66.60%
23.90%
lesumale
57.78
16.00%
67.70%
26.30%
2019
65.87
14.00%
72.20%
28.60%
analvtics and artificial inteligence are seen tr
becoming more Important than creativity which
trad.
itional advertising agencies have relied upon as a differ
entiator. This is enabling them to offer a range or service!
to the maior marketina companies that compete directiv
with traditional advertising agencies.
Ine disruptive change in the advertsing at
the beginning or the twenty-first century started win the
Internet. The convergence or Internet, IV, smartpnones
tablets and laoton computers has had a major impact
the advertising industry.
Factors that have driven competitive advantage to date
not be relevant in the tuture. Iraditionally the advert
ising industry nas embodied the idea of creativitv as the
vital differentiator between the best and the mediocre
and individuals have often been
at the heart or this
creativitv. The emergence of data analvtics, programmatic
advertising and the use of artificial intelligence algorthms
are disruptive to 'business as usual' in the industry. A key
question Is whether creativity will be Important in
future, in relation to breadth or services, global
reac an
Sources: ZenithMedia, Advertising Age. Statista, Marketer, Februan
2018.
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