Question: When we know that an imagined event is not objectively real while at the same time accepting it completely as fantasy, we are experiencing what

When we know that an imagined event is not objectively real while at the same time accepting it completely as fantasy, we are experiencing what Coleridge called the
Multiple Choice
paradox of living
commitment of the craft
performance conundrum
willing suspension of disbelief
 When we know that an imagined event is not objectively real

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